Ladyhawke came out in 2008, and it’s the debut album that really announced Pip Brown, aka Ladyhawke, as a force in modern synth-pop. Coming from her work in bands and collaborations, this record feels like her finally stepping fully into the spotlight with a sound that’s entirely her own – retro yet fresh, nostalgic but with a sharp contemporary edge.

The sound is bright, glossy, and full of energy. Think soaring synth lines, pulsing beats, and Ladyhawke’s vocals riding over it all with confidence and attitude. There’s a clear nod to ’80s pop and new wave – a little Madonna, a little Eurythmics – but it never feels like imitation. It’s playful, anthemic, and perfect for singing along or just losing yourself in the melodies.

Tracks like “My Delirium” and “Paris Is Burning” instantly grab you with their infectious hooks, while “Magic” and “Dusk Till Dawn” highlight her knack for crafting shimmering, emotional synth-pop moments. Even the slower songs have this lush, cinematic quality that keeps the album feeling dynamic and alive.

What makes Ladyhawke still fun to revisit is how effortlessly it balances nostalgia with personality. It’s energetic without being exhausting, catchy without being shallow, and full of little production details that keep you coming back. It’s the kind of record that makes you want to put on headphones, turn it up, and just get swept along by the glow of its sound.